African America and South America 

          The banjos is a popular musical tastes in the African Americans culture. Caribbean created the banjo in the 17th century and carried it to the North America in the 18th century. Banjos rang in Barbados, Antigua, St. Kitts, St. Criox, Suriname, and Haiti in the 1700s and early 1800s. New banjos without drone strings and played with flat picks arose in the 20th century: tenor banjos, tuned like violas, six-strings guitar banjos, mandolin banjos, and plectrum banjos, modeled on the five string banjo without the fifth string.

        South Americans came by the Natives of South America, the Spanish and the Africans who came to South America as slaves. The region in and around Andes including the countries of Peru Bolivia, Argentina, and Chile have a diverse range of musical traditions. South America music makes up the daily lives of the people. The traditional music of Andes is called Huayno which is popular for its use of pan flutes. The instruments used in South American music are pan pipes, flutes, rattles, guitar, a native guitar charango and the drum. 

       

       The dance styles of hundreds of African ethnic groups merged with European dances, forming the extension of the African aesthetic in the Americas. African Americas sang and danced while working as slaves, and as they converted to the religious of the Americas, they incorporated these traditions into these religions. Blacks who worked in the colonies of Spain, Portugal, the Caribbean, and South America were given more freedom to dance than enslaved Blacks in North America. Some dance trends that were popular in the African Americans were the Charleston, the Lindy Hop, the Jitterbug, and the Twist. One of the earliest black dances in the new world was the juba. The Juba dance was originally from West Africa.